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Critically reviewing a birthday party seems a bit off, but that's essentially what I'm about to do here. At heart this evening wasn't so much about the bands on stage, but the history behind how they came to be put up there. |
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"Can someone close that door?" asks the solitary figure on stage as the booming beats of Good Shoes rumble from the other room at the Hare & Hounds. Upstairs the music is somewhat calmer as Pennsylvania-born Catherine Feeny gently picks at her guitar and her dreamlike vocals wash over the sparse-but-captivated audience. |
